Reviews
CAROLINE KIEBACH
The Man Who Came To Dinner
“In comes the sexy and sassy Lorraine Sheldon, played by Caroline C. Kiebach. Kiebach lights up the stage and delivered my favorite performance of the evening. She is charming, witty with an over-the-top personality. Her arrival causes a change of events that even affects Whiteside, and nothing affects Whiteside. A phone call turns into a major tantrum and is hysterical. It’s a real ‘Scene Stealer."
- D.C Metro Arts Letricia Loftin
The Man Who Came To Dinner
“And freaking Caroline C. Kiebach fucking OWNED the second half of the show, y’all. Her Lorraine Sheldon, vanity incarnate, is berserkly funny and has added “French bitch!” to my repertoire of how to scold my maids. She’s a Shirley Temple with acid in it, all baby-voice and viscous claws. Look out for the way she “cries” and tell me if you don’t wet yourself.”
- The Bad Oracle
The Man Who Came To Dinner
“The meltdown moment that steals the show is delivered from the melodramatic Lorraine Sheldon (Caroline Kiebach.) Her tantrum scene on the telephone that results in a full blown histrionic fit is side-splittingly hysterical. Her over-the-top borderline ham performance as the vapid acting sensation is top notch. Kiebach doubles as the eccentric enigma Harriet Stanley and between her mysterious mincing walk and her curious gravelly voice she wins the hearts of the audience all over. Kiebach catches the attention of all whether she’s skulking about in the black lace as Harriet or strutting through the Stanley household like she owns the place.”
- TheatreBloom Amanda Gunther
The Man Who Came To Dinner
“Caroline C. Kiebach delighted the audience with her manically comical turn as Broadway blonde bombshell Lorraine Sheldon who's feet-stamping meltdown during one particularly slapstickish phone call had the audience roaring with laughter.”
- Broadwayworld.com (Daniel Collins)
Moon Over Buffalo
"Caroline C. Kiebach plays the Hays’ daughter Rosalind, a former actress who gave up the theatre life to work in advertising. Kiebach is like a ray of sunshine every time she walks onstage – full of energy, spirit, and perfect comedic timing."
- D.C Metro Theatre Arts
Moon Over Buffalo
"Caroline C. Kiebach reveals supple comic skills as Rosalind, having quite a romp in the "Private Lives" sequence that pops up to fuel the farce."
- The Baltimore Sun
Public Affairs’
“My favorite was Caroline Kiebach, who played Sally in The Love Course, is a college student so hungry to experience love that she blindly soaks in everything her female professor dishes out, no matter how crazy. Kiebach met Bush’s level of intensity in their duet scenes, which was magnetizing. She was authentic and enjoyable. She embraced her character like the love that she sought.”
- D.C Metro Arts Letricia Loftin